Don’t miss your chance to see this legendary singer live in concert on November 3 & 4, 2017 at 8pm!
Tickets are on sale August 3, 2017 at 8am! Reserve your seats by phone at 1-888-MAIN ACT (1-888-624-6228), in person at the Chinook Winds Box Office, or online.
Reserved Seating Tickets: $30 – $45. Must be 16 or older to attend.
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Becoming a trailblazing Country Music superstar was an improbable destiny for Charley Pride, especially considering his humble beginnings as a sharecropper’s son on a cotton farm in Sledge, Mississippi. His unique journey to the top of the music charts includes a tumultuous detour through the world of Negro league, minor league and semi-pro baseball as well as many long years of labor alongside the volcanic fires of a smelter. But in the end, with boldness, perseverance and undeniable musical talent, he managed to parlay a series of fortuitous encounters with Nashville insiders into an amazing legacy of hit singles and tens of millions in record sales.
Growing up, Charley was exposed primarily to Blues, Gospel and Country music. His father inadvertently fostered Charley’s love of Country music by tuning the family’s Philco radio to Nashville’s WSM-AM in order to catch Grand Ole Opry broadcasts. At 14 years of age, Charley purchased his first guitar a Silvertone from a Sears Roebuck cataloge and taught himself how to play it by listening to the songs that he heard on that radio.
During the first half of the 1960’s, Charley worked at a smelter and played baseball for its semi-pro team. But he also began making a name for himself as a music performer by singing the national anthem at baseball games and performing at honky-tonks and nightclubs in the Helena, Anaconda and Great Falls areas. Sometimes he performed as a solo artist and other times as a member of a combo or group. In 1962, with the help of Tiny Stokes, a local disc jockey, Charley was introduced to Country singers Red Sovine and Red Foley and invited to perform ‘Heartaches By The Numbers’ and ‘Lovesick Blues’ during one of their shows. This brief initial encounter with Red Sovine would turn out to be crucial in laying the groundwork for Charley’s future music career.
After a disastrous 1963 tryout with the New York Mets in Clearwater, Florida it became clear that a major league baseball career was not in the cards. Charley chose to return to Montana via Tennessee because Red Sovine had told him that if he ever became serious about a singing career and decided to come to Nashville, he should stop by Cedarwood Publishing, the company that booked Sovine’s shows. From the bus station in Nashville, Charley walked straight over to Cedarwood’s office and by sheer luck ended up meeting Jack Johnson, who had been actively searching for a promising black Country singer. Johnson made a simply produced recording of Charley performing a couple of songs and then drove him straight back to the bus station with the promise of a management contract. Johnson quickly made good on that promise and it was the beginning of a working relationship that would start off slow, but prove to be very fruitful over the next decade.
Johnson ran into significantly more resistance than he had anticipated as he shopped around the crude demo recording that he had made of Charley to the record labels in Nashville. It wasn’t until 1965 that forward progress was made. Charley came to Nashville and Johnson introduced him to producer, Jack Clement. Clement gave Charley seven songs to learn (including “The Wabash Cannonball”, “Night Train To Memphis” and “Just Between You And Me”) and within a week they cut two of these songs ‘The Snakes Crawl At Night’ and ‘Atlantic Coastal Line’ during an afternoon studio session with top-notch session players. Even with the professionally produced sides, Johnson and Clement continued to have a difficult time as they shopped Charley around to the Nashville labels. But finally in 1966, Chet Atkins decided to trust his ears and signed Charley to RCA Records. Atkins took Charley under his wing, nurtured his talent and oversaw a shrewd promotional campaign that successfully navigated the racial challenges of mid-1960s America. Although Charley’s first couple of singles failed to jump-start his career, ‘Just Between You and Me’ caught fire in 1967, breaking into the Top-10 Country chart and garnering Charley his first Grammy nomination.
What happened next is Country Music history. Charley Pride quickly became Country Music’s first African-American superstar. Between 1967 and 1987, he amassed no fewer than 52 Top-10 Country hits and went on to sell tens of millions of records worldwide. In 1971, Charley won two Grammy Awards related to his Gospel album, Did You Think To Pray; Best Sacred Performance, Musical (Non-Classical), as well as Best Gospel Performance Other Than Soul for the single ‘Let Me Live.’ Later that year, his #1 crossover hit ‘Kiss An Angel Good Mornin’ sold over a million singles and helped him to win the Country Music Association’s Entertainer of the Year award and the Top Male Vocalist awards of 1971 and 1972. It also brought him a Best Male Country Vocal Performance Grammy Award in 1972. Some of Charley’s unforgettable hits from his 1960s, 1970s and early 1980s output include ‘All I Have To Offer You Is Me,’ ‘Is Anybody Goin’ To San Antone,’ ‘Amazing Love,’ ‘Mississippi Cotton Pickin’ Delta Town,’ ‘Burgers And Fries,’ ‘Roll On Mississippi’ and ‘Mountain Of Love.’ After parting ways with RCA Records in 1986, Charley spent the remainder of the decade releasing albums on the 16th Avenue Records label.
Charley’s most recent studio album Choices was released on March 8, 2011. It features 13 new recordings written by such songwriters as Ted Harris (‘Crystal Chandeliers’) and Ben Peters (‘Kiss An Angel Good Morning’ and many other Pride hits) as well as tracks penned by such fellow Country music stars as Eddy Raven and Richie McDonald (Lonestar). Those familiar with Charley’s amazing repertoire of hits will find this release essential listening while others are sure to discover the reasons why this living legend has sold tens of millions of records worldwide.